By: Jon Dolan
Source: Rolling Stone
http://www.rollingstone.com/music/albumreviews/spoon-they-want-my-soul-20140805
Critic Jon Dolan begins the review of Spoon’s distinctive
yet imaginative eighth album They Want My
Soul with writing about their music in the past two decades. Since their
debut album in 1993, Spoon have time and time again written and produced songs
and albums that have received continuous praise. He applauds frontman Britt
Daniel’s dissimilar cleverness and passion, which he says, “has always been
Spoon’s not-so-secret weapon” (Dolan, 1). Dolan commends the album by giving it
a four star review. This analysis may be read by individuals who have been
Spoon fans for a long time, people who are into alternative rock and may be
exploring Spoon, or by those who are intrigued by new music and have stumbled
across this review. Dolan begins his actual examination of the album by using
claim of fact and stating that this is Spoon’s first time working, on a large
scale, with alt-rock central figures and producers Joe Chiccarelli and Dave
Fridmann. Using logos, he then goes on to talk about the album opener, “Rent I
Pay,” its use of snare drums, and how it builds into the succeeding track,
“Inside Out,” displaying a falsetto and a trip-hop beat. In the following
paragraph, Dolan uses claim of value and pathos by saying that this album
contains, “some of Daniel’s most emotional lyrics ever” (Dolan, 1). This may
attract readers by making them feel like this album is more personal than
others. He uses the songs “Do You” and “Outliers” to justify Daniel’s use of,
“more give, clarity and romance” (Dolan, 1). He finishes the review by praising
the final song on the album, “New York Kiss.” Though he enjoys this track, he
uses claim of policy by declaring this song would have received acclaim,
especially on the radio, a few decades ago. Dolan concludes the evaluation of
this album by telling the reader that despite the fact that the rock vibe has
passed, Spoon has always done well and he predicts nothing but success.
No comments:
Post a Comment